- Is spectrasonics trilian still a good bass library how to#
- Is spectrasonics trilian still a good bass library movie#
- Is spectrasonics trilian still a good bass library tv#
Another common technique is to use multiple layers of music that can fade in and out depending on what’s going on in the gameplay. For example, sometimes the music will simply “switch” to a new piece of music, ideally in a way that sounds natural. Therefore the music needs to be designed in a way that will change from moment to moment and support a variety of situations. Each time you play a game, things don’t happen exactly the same way every time. This is because in games, you’re creating music to support gameplay that can change from moment to moment. When I represent game music in this fashion, I show a slide that has circles scattered in various places and arrows connecting everything in different directions. This allows the composer to plan out everything in advance and score a scene from beginning to end.
Is spectrasonics trilian still a good bass library movie#
This is because when you watch a movie everything happens the same way every time, including the music. For film, the circles and arrows are in a straight line from left to right. I usually incorporate two slides one shows a flowchart representing music with circles and arrows connecting one to the other. I’m often asked to give talks and presentations on this subject. What are the similarities and differences between how you approach writing a soundtrack for a video game and writing a movie? Now if I can just get the time to get that second album done! I could not have imagined hearing Woody say “Reach for the Skies” over an Atlas Plug track. They used “Halfway Till Bliss” which is a pretty aggressive track. One of the most surprising placements occurred last year for a Toy Story 3 trailer. But “2 Days or Die” is almost eight years old and still holds up. It’s not typical for an electronic album to have a shelf life over a few years. I’m really pleasantly surprised at how well the tracks have held up over the years.
Is spectrasonics trilian still a good bass library tv#
Tracks from your debut solo album ♂ Days or Die´ have been licensed for a number of TV shows, commercials and movie promos – can you tell us which tracks have been used where?Ītlas Plug “2 Days or Die” has the rare distinction of every track having been licensed in film trailers, games, TV shows and commercials. With the help of my publisher, I started getting my music licensed in games and then gradually, my role evolved into scoring games. That’s when I created “ Atlas Plug”, an alter ego that I used to help establish myself in the video game industry. I already had fifteen years of record production experience so I concluded that my best approach would be to create a solo album of music that would be a good fit for video games, TV and film. I started by doing research on other game composers and attending all the game conferences.
Is spectrasonics trilian still a good bass library how to#
Shortly after Halo: Combat Evolved released on the original Xbox I realized that my future was in games.Īt this point, I had no idea how to break in and I knew it would be incredibly hard to re-establish myself in an entirely new industry. It was always a big hobby of mine, but at that time I did not see these two worlds colliding… until 2001. As a kid, I went to the arcade every week and had most of the major consoles starting with the Atari 2600. I’ve always been an avid video game player since the early eighties. How did the shift occur from you working with such artists to writing audio media scores? For several years in the mid-nineties I was producing dance remixes with Junior Vasquez and that’s how I had the opportunity to work on projects for Whitney Houston, Cher and Peter Gabriel. After several years of touring, I started doing more studio work and got into more producing, remixing and songwriting. In the early nineties, I started touring with Bobby Brown as a keyboard tech and then I joined Mary J. I was very fortunate to have a diverse range of musical experiences during the first fifteen years of my career before getting into games. Blige – what did your work with these artists involve? Knowing that Tom is a big Spectrasonics fan we got in touch with him to find out more.Īccording to your biography, you´ve toured and worked on releases by many well-known artists including Cher, Whitney Houston and Mary J. From large-scale orchestral and choral tracks to unexpected intimate moments, Tom is an extremely versatile composer who incorporates the use of both live musicians and virtual instruments into his soundtracks. Prince of Persia: The Forgotten Sands, Red Steel 1 & 2, Tom Clancy´s Ghost Recon Advanced Warfighter 1 & 2 and Tom Clancy´s H.A.W.X 1 & 2 are just some of the popular video games featuring Tom´s work. Tom Salta´s soundtrack credits cover films, TV shows and advertising but it is his work on video game scores for which he is most recognised.
0 kommentar(er)
